Tadej Pogacar Print – Jonas Vingegaard Poster – Yellow Jersey Print – Dauphiné Poster – Cycling Poster
Pogacar turns the screw in Valmeinier: a first Dauphiné that already smells of July.
The Col de la Madeleine doesn’t usually award trophies, yet on Saturday it offered a verdict. Two kilometres below the summit, as the gradients kicked into double digits, Pogacar flicked his left elbow. João Almeida, faithful metronome, slid aside, and the Slovenian in yellow rose from the saddle with that familiar, playful viciousness. Within three pedal strokes Jonas Vingegaard’s cadence began to hitch; within ten, the Dane’s head was rocking, his shoulders begging for oxygen that never came. By the ski station of Valmeinier 1800, the gap stood at 39 seconds—small on paper, gigantic in meaning.
That surge sealed Tadej Pogacar’s first Dauphiné title, a prize that had curiously eluded him until 2025. Three days earlier, the same rider had looked oddly mortal in the Saint-Péray time-trial, leaking half a minute to Vingegaard and blaming “a chain that hated the Rhône wind more than I did.” In the Alps he reset the clocks, not by smashing record power numbers but by exploiting every metre of descent and transition.
Vingegaard later admitted that the tempo on the lower Télégraphe “felt like the third week of the Tour.” His Jumbo-Visma domestiques dropped away one by one, the last of them, Sepp Kuss, peeling off with a rueful shrug. When Pogacar accelerated, the only wheel he towed was his own ambition. Behind, the yellow helmets found no shelter from the yellow jersey.
There were lighter touches, too. On the eve of the queen stage Pogacar sneaked into Valmeinier’s kindergarten to donate mini UAE jerseys; the teachers had no idea who he was until the bus driver spilled the secret. And after Friday’s finish at Plateau du Mont-Cenis he asked the TV crew whether the lake was swimmable—“Just in case tomorrow hurts,” he grinned.
The hurt was for others. Over eight stages the 26-year-old scored two mountain wins, the points classification, and what the locals call the beau doublé—victories in both Savoie finales. Only Bernard Hinault (1979) and Chris Froome (2013) had previously married such dominance to overall victory. Each of them, for the record, also won the Tour that summer.
With three weeks to Paris, the hierarchy is clear: Pogacar first, daylight second. The rider himself prefers modesty. “It’s only June sap,” he said in Grenoble, medal of winner dangling like an afterthought. “July is when the tree must blossom.” Yet one sensed in his smile the knowledge that the buds are already swelling.
For those who want to freeze that Alpine flourish, a collector’s Pogacar Dauphiné image is now available: “Setting the Pace on Valmeinier”—the maillot jaune pulling Vingegaard through the mountain shadows. Printed on heavyweight art stock, each cycling print is numbered and signed, perfect for a study or pain cave. Hang this Pogacar yellow jersey print to feel the rush of the Dauphiné every time you clip in—cycling history captured as vivid cycling wall art.
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➤ ABOUT THE PRINT
Each artwork is professionally printed on gallery quality matte paper which perfectly compliments the designs using only archival inks. The high print quality ensure that your wall print will last a long time while maintaining its original color.
Premium Matte Paper: 200 gsm, premium quality, matte finish
Shipped in a stiff cardboard tube (100% recyclable, 90% recycled)
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➤ HOW TO ORDER
Simply purchase the listing in your desired size.
Sizes:
A3 (297 X 420 mm / 11.7 X 16.5 in)
A2 (420 x 594 mm / 16.5 x 23.4 in)
A1 (594 x 841 mm / 23.4 x 33.1 in)
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➤ PLEASE NOTE: FRAME IS NOT INCLUDED
---------------------------------------------------
➤ ADDITIONAL
If you have any questions, please do not hesitate to contact us.
Pogacar turns the screw in Valmeinier: a first Dauphiné that already smells of July.
The Col de la Madeleine doesn’t usually award trophies, yet on Saturday it offered a verdict. Two kilometres below the summit, as the gradients kicked into double digits, Pogacar flicked his left elbow. João Almeida, faithful metronome, slid aside, and the Slovenian in yellow rose from the saddle with that familiar, playful viciousness. Within three pedal strokes Jonas Vingegaard’s cadence began to hitch; within ten, the Dane’s head was rocking, his shoulders begging for oxygen that never came. By the ski station of Valmeinier 1800, the gap stood at 39 seconds—small on paper, gigantic in meaning.
That surge sealed Tadej Pogacar’s first Dauphiné title, a prize that had curiously eluded him until 2025. Three days earlier, the same rider had looked oddly mortal in the Saint-Péray time-trial, leaking half a minute to Vingegaard and blaming “a chain that hated the Rhône wind more than I did.” In the Alps he reset the clocks, not by smashing record power numbers but by exploiting every metre of descent and transition.
Vingegaard later admitted that the tempo on the lower Télégraphe “felt like the third week of the Tour.” His Jumbo-Visma domestiques dropped away one by one, the last of them, Sepp Kuss, peeling off with a rueful shrug. When Pogacar accelerated, the only wheel he towed was his own ambition. Behind, the yellow helmets found no shelter from the yellow jersey.
There were lighter touches, too. On the eve of the queen stage Pogacar sneaked into Valmeinier’s kindergarten to donate mini UAE jerseys; the teachers had no idea who he was until the bus driver spilled the secret. And after Friday’s finish at Plateau du Mont-Cenis he asked the TV crew whether the lake was swimmable—“Just in case tomorrow hurts,” he grinned.
The hurt was for others. Over eight stages the 26-year-old scored two mountain wins, the points classification, and what the locals call the beau doublé—victories in both Savoie finales. Only Bernard Hinault (1979) and Chris Froome (2013) had previously married such dominance to overall victory. Each of them, for the record, also won the Tour that summer.
With three weeks to Paris, the hierarchy is clear: Pogacar first, daylight second. The rider himself prefers modesty. “It’s only June sap,” he said in Grenoble, medal of winner dangling like an afterthought. “July is when the tree must blossom.” Yet one sensed in his smile the knowledge that the buds are already swelling.
For those who want to freeze that Alpine flourish, a collector’s Pogacar Dauphiné image is now available: “Setting the Pace on Valmeinier”—the maillot jaune pulling Vingegaard through the mountain shadows. Printed on heavyweight art stock, each cycling print is numbered and signed, perfect for a study or pain cave. Hang this Pogacar yellow jersey print to feel the rush of the Dauphiné every time you clip in—cycling history captured as vivid cycling wall art.
---------------------------------------------------
➤ ABOUT THE PRINT
Each artwork is professionally printed on gallery quality matte paper which perfectly compliments the designs using only archival inks. The high print quality ensure that your wall print will last a long time while maintaining its original color.
Premium Matte Paper: 200 gsm, premium quality, matte finish
Shipped in a stiff cardboard tube (100% recyclable, 90% recycled)
---------------------------------------------------
➤ HOW TO ORDER
Simply purchase the listing in your desired size.
Sizes:
A3 (297 X 420 mm / 11.7 X 16.5 in)
A2 (420 x 594 mm / 16.5 x 23.4 in)
A1 (594 x 841 mm / 23.4 x 33.1 in)
---------------------------------------------------
➤ PLEASE NOTE: FRAME IS NOT INCLUDED
---------------------------------------------------
➤ ADDITIONAL
If you have any questions, please do not hesitate to contact us.
Pogacar turns the screw in Valmeinier: a first Dauphiné that already smells of July.
The Col de la Madeleine doesn’t usually award trophies, yet on Saturday it offered a verdict. Two kilometres below the summit, as the gradients kicked into double digits, Pogacar flicked his left elbow. João Almeida, faithful metronome, slid aside, and the Slovenian in yellow rose from the saddle with that familiar, playful viciousness. Within three pedal strokes Jonas Vingegaard’s cadence began to hitch; within ten, the Dane’s head was rocking, his shoulders begging for oxygen that never came. By the ski station of Valmeinier 1800, the gap stood at 39 seconds—small on paper, gigantic in meaning.
That surge sealed Tadej Pogacar’s first Dauphiné title, a prize that had curiously eluded him until 2025. Three days earlier, the same rider had looked oddly mortal in the Saint-Péray time-trial, leaking half a minute to Vingegaard and blaming “a chain that hated the Rhône wind more than I did.” In the Alps he reset the clocks, not by smashing record power numbers but by exploiting every metre of descent and transition.
Vingegaard later admitted that the tempo on the lower Télégraphe “felt like the third week of the Tour.” His Jumbo-Visma domestiques dropped away one by one, the last of them, Sepp Kuss, peeling off with a rueful shrug. When Pogacar accelerated, the only wheel he towed was his own ambition. Behind, the yellow helmets found no shelter from the yellow jersey.
There were lighter touches, too. On the eve of the queen stage Pogacar sneaked into Valmeinier’s kindergarten to donate mini UAE jerseys; the teachers had no idea who he was until the bus driver spilled the secret. And after Friday’s finish at Plateau du Mont-Cenis he asked the TV crew whether the lake was swimmable—“Just in case tomorrow hurts,” he grinned.
The hurt was for others. Over eight stages the 26-year-old scored two mountain wins, the points classification, and what the locals call the beau doublé—victories in both Savoie finales. Only Bernard Hinault (1979) and Chris Froome (2013) had previously married such dominance to overall victory. Each of them, for the record, also won the Tour that summer.
With three weeks to Paris, the hierarchy is clear: Pogacar first, daylight second. The rider himself prefers modesty. “It’s only June sap,” he said in Grenoble, medal of winner dangling like an afterthought. “July is when the tree must blossom.” Yet one sensed in his smile the knowledge that the buds are already swelling.
For those who want to freeze that Alpine flourish, a collector’s Pogacar Dauphiné image is now available: “Setting the Pace on Valmeinier”—the maillot jaune pulling Vingegaard through the mountain shadows. Printed on heavyweight art stock, each cycling print is numbered and signed, perfect for a study or pain cave. Hang this Pogacar yellow jersey print to feel the rush of the Dauphiné every time you clip in—cycling history captured as vivid cycling wall art.
---------------------------------------------------
➤ ABOUT THE PRINT
Each artwork is professionally printed on gallery quality matte paper which perfectly compliments the designs using only archival inks. The high print quality ensure that your wall print will last a long time while maintaining its original color.
Premium Matte Paper: 200 gsm, premium quality, matte finish
Shipped in a stiff cardboard tube (100% recyclable, 90% recycled)
---------------------------------------------------
➤ HOW TO ORDER
Simply purchase the listing in your desired size.
Sizes:
A3 (297 X 420 mm / 11.7 X 16.5 in)
A2 (420 x 594 mm / 16.5 x 23.4 in)
A1 (594 x 841 mm / 23.4 x 33.1 in)
---------------------------------------------------
➤ PLEASE NOTE: FRAME IS NOT INCLUDED
---------------------------------------------------
➤ ADDITIONAL
If you have any questions, please do not hesitate to contact us.
